Five Galleries: The Dunedin Fine Art Center boasts five galleries, a gift shop, the Palm Café, and a lounge area in the central lobby complete with art books, couches, and a piano. It is located on Michigan Avenue in Dunedin, Florida. There is good parking. By one entrance is the alien machinery pictured above. By the other entrance is a long tile mural built over the course of several years by many children of different ages from different schools in the area. The center is open seven days a week and paid for by donations.
Thought-Provoking Exhibits: Of course, it’s what’s inside that counts. I caught them on a transition day when only two of the five galleries were open. The Entel Family Gallery hosted an exhibit called Dignity: Tribes In Transition. It was a collection of photographs of indigenous people from around the world, often in a mixture of traditional and modern dress. Pictures of people are interesting because unlike landscapes or abstract sculptures, people have dreams, thoughts, goals, aspirations, and can interact in their environments in complex ways. What were they thinking? I could not tell. There were several plaques on the walls explaining what the project was about. They referenced a UN declaration in the seventies to protect the rights of indigenous people, though I question what else the declaration might have had in it since the four nations to vote against it (New Zealand, Australia, Canada, and the United States) are not exactly known for human-rights abuses (relatively speaking). Another plaque stressed the importance of learning the culture of our ancestors. It suggested that in order to know where we are going, we must know where we come from. I’m not sure I buy that argument. Since the past can only influence the future through the present, why isn’t it good enough to just know where we are now? Another plaque suggested that trees feel pain and that Africans have somehow known this all along. Hmmm. The jury is still out on that. The exhibit certainly got me thinking, which I’m guessing was the point.
Pretty Pictures: The second exhibit (Harmonic Divergence) featured works inspired by music. There are two paintings that stand out to me now. At first glance, it looked like a swirl of color probably representing music was escaping from a trumpet or horn of some kind. A drum and harp floated nearby. Upon closer examination, I decided it looked more like the horn was escaping from the swirl. Do instruments make music or does the potential for music encourage the invention of instruments? I’m probably thinking too much. The other painting I liked was a borderline impressionistic scene of a man with a guitar-like object and four women in hats. There were large flowers in the background and fruit on the table. The women appeared to have their eyes closed, probably enjoying the music. It was all very colorful. The instrument itself had several regions of different colors on it. There was just enough consistency in the highlighting to discern the direction of illumination. I liked it.
My name is Dan. I am an author, artist, explorer, and contemplator of subjects large and small.